Antares For Mac 10.8.5

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Auto-Tune 8

How can I update my Max OSX 10.5.8 to at least 10.6 or higher. The first step in Upgrading. Is to Snow Leopard = OS X 10.6.x It is Not available as a download. It is a Paid Upgrade. Do this first. Check that your Mac meets the System Requirements for Snow Leopard.

Antares For Mac 10.8.5Antares

Building on 20 years as the overwhelming choice of professional musicians, producers and engineers, Auto-Tune 8 is the new generation of genuine Auto-Tune pitch and time correction.

  • May 14, 2017 The fact that you have abandoned those of us using the last best Mac OS is telling. Same for FireFox for that OS. Sick and tired of planned obsolescence! But there is no excuse if you have a security breach. It is YOUR responsibility to provide an update for the millions of people using Mac OS 10.8.5.
  • Sep 12, 2013  Apple has released OS X 10.8.5 system update for all Mac users running OS X 10.8. The update focuses entirely on bug fixes, many of which pertain to various network bugs and quirks that have bothered Mac users since the release of Mountain Lion.

New in Auto-Tune 8 is Antares’ revolutionary new Flex-Tune real-time pitch correction technology. While providing the seamless, natural pitch correction and audio quality that Auto-Tune is known for, Flex-Tune correction gives singers unmatched freedom to exercise their vocal creativity.

In addition to the option of Flex-Tune, Auto-Tune 8 features a new Low Latency Mode for use during tracking or for live performance, along with a variety of workflow enhancements designed to let you address your pitch and time correction tasks with a maximum of creativity and a minimum of frustration.

Mac

COMPARE AUTO-TUNE VERSIONS

Wondering what the differences are? Click here to compare the key features of Auto-Tune EFX 3, Auto-Tune Live and Auto-Tune 8.


Auto-Tune 8 Automatic Mode (click for full size)


Auto-Tune 8 Graphical Mode (click for full size)

Press and Reviews

Antares For Mac 10.8.5 X

The New Yorker examines Auto-Tune's dramatic impact on the music industry in an article by pop-music critic Sasha Frere-Jones.